Guest Blog with Emma Rowe

Today I have Emma Rowe, fabulous musician sharing her creative process. Thank you Emma!

 

Hello blog world. I’m new here, be nice.

My name is Emma Rowe, I am a singer/songwriter from Darwin. You don’t know me, and you’re not supposed to…yet.

So, this whole “write a blog post about your creative process” thing has really got me thinking…..What the hell is my creative process???

Sometimes it starts with a cool guitar bit, sometimes it’s lyrics popping into my head at inconvenient times (i.e. while driving, in the shower, while at work), sometimes it’s after seeing a life changing concert or discovering a new artist. Seldom times it’s when I’m sitting with my journal open thinking “I’m going to write a song now”.

Look, I don’t really have a process. But I do have some tips to help you get the best out of your writing. I call it “The Self Care System for Writers”.

If you find yourself in a rut, or just plain not enjoying writing, here are some simple (but effective) strategies that work for me:

– Get a good night’s sleep, you’re wittier when you’re well rested.

– Make yourself a cup of tea. This gives you some unfiltered thinking time.

– RELAX (I realise the irony of writing that in capitals).

– Give yourself a break. If the creativity isn’t happening for you today, that’s ok! Maybe tomorrow!

– Light some candles, I think there’s some actual science behind nice smells stimulating your brain (not a scientist).

– Cuddle your pet. They deserve it, guys. I think there’s science behind this too (again, not a scientist).

– Challenge yourself. Branch out into new genres, topics, collaborations. Prove to yourself that you can.

– Go see some live music/theatre/art exhibitions/dance…whatever your preference!

In the end, the most important thing you can do for yourself is have fun writing, and remind yourself that you’re good at it!! Now, get to it!!

Emma Rowe is a loud singer/songwriter from Darwin, Australia. Her latest single, “LIONESS”, has been critically acclaimed worldwide, and can be found on all major streaming services. Stalk Emma here: Facebook – Instagram – TwitterYouTube

Emma 3

My Day Off

What really happens when I give myself a ‘day off’ from my writing?

Would you really be surprised to discover that I usually spend it writing? Seriously!

Let me walk you through my process of a recent experience where this happened.

I’ve been a bit on the sick side, for a few weeks, thanks to bubs beginning childcare and bringing home dreaded lurgies. Then there was the Easter break, and his first birthday that weekend, plus I’ve had books published, and running an online workshop. I love it. I love being busy. I don’t love being sick of course. It meant that I was run down. And after finishing the first draft of a novella, and meeting that deadline, I decided to have a bit of a break. In particular, I was going to take a full day to myself, which never happens now I’m a mum, to rest and not write, or do anything writing related. I decided that I needed this self-imposed break a few days ago. Just for one day. It’s not a lot of time, but for me it feels like it. I was completely looking forward to it, and trying not to feel that little bit of guilt which tends to come when doing something like this for yourself.

With the day stretching out in front of me, I decided to take my computer with me – just encase. Lucky! My muse came. Or I felt a burst of inspiration. I didn’t feel so tired anymore. Suddenly I had the energy to want to write.

So, I did.

And I wrote and wrote and wrote.

And the good thing about a day off, is that I don’t do word counts. I’m not goal focussed. I flip between three to four different projects. I’m completely in the creative flow in all its whims and touch of chaos.

And I’m in heaven.

This, for me, is the best day off!

Lilliana

Fox it is!

A while back I asked on my Cultivating Creativity FB page for people to say what I should paint next. A giraffe, a tiger or a fox. It was simply a fun exercise for me and a way for me to extend myself by painting out of my comfort zone. The fox was my least favourite choice to paint, it’s just not an animal I connect with. But I thought perhaps I could give it a go. I thought painting the giraffe could be fun, and the tiger something a little challenging.

Everyone who commented suggested the fox. So, I painted the fox. Twice.

The first attempt I wasn’t at all happy with. I’d grabbed the wrong colour, though crazy colours do work with this technique, I just don’t feel it came together in this instance. I couldn’t get the nose right. It was a warm day and the paint was drying quickly making it tricky to do adjustments. At the end of the session, I just felt that I could do ‘better’ but not that day. about to start

The image I used for inspiration was in colour. I remembered that it should be in black and white in order to see clearly the low, mid and high tones. I copied my print of the fox into black and white. Got together my three favourite colours I like to paint with and I attempted to paint the fox again.

first attempt

I also decided not to try and rush, and gave myself permission to take as long as I needed. This time, it took my half the time to paint the fox. Giving myself as much time as I needed took the pressure off, and helped. Having the image in black and white also made a big difference to see the different tones better. And I’d painted the fox before, so I had some experience to draw on.

This is the first time I’ve gone back and painted the same subject again because I wanted to ‘improve’ the outcome, and my skill set. Because of these benefits I’m even tempted to try to paint the fox for a third time. For now, I’ve got lots of other subjects to paint, so a third re-visit isn’t in the near future, but might happen one time. What I can do, is apply what I’ve learnt here not just to other animal paintings in this style (I’m sure I’ll do the giraffe and tiger at some stage). second attempt

second attempt finished

The painting of the fox serviced a bigger purpose, of also making me more aware of my process, so it has been a good exercise to do. And despite good intentions, creative projects don’t always work out well the first time, and that it all part of the process.

Now, onto the next project! (which is to re-paint a rose!)

foxes painted

New Recipes

I’m taking a break from writing so I can re-fill my creative well. With a little more time available I’ve turned to cooking. Cooking is a day to day chore, but does it have to be? How can I make this more interesting for me? Well I enjoy cooking for bubs so that helps. And I want to look after myself, so another helpful perspective to remember. I also like trying new recipes, bingo!

As I’m deciding on what recipe to try next, then how to change the recipe to suit my diet, and then the actual process of cooking, I realise this is another form of creativity, and it’s also helping to nurture me (and bubs) but also it nurtures my creativity too. So there’s lots of wins going on here.corn chowder

beef and vegetables
Beef and Veg for Bubs

By trying a new recipe I’m exploring the unknown, like I do when writing but I’m using different creative muscles. This means my writing muscles can have a break, and I work out a new set of muscles. And I’m still being creative, which is something I love to do.

While I’m expressing my creativity differently I feed my soul in a new way. This will then influence my writing when I get back to it, how I don’t know, but at least I’m setting myself up the best way I can. The only downside, is that I love baking cakes, which is not good for my waistline!

A simple but effective way to help with creative flow, at least for me. All from simply cooking, a day to day necessity.

Share below how cooking influences your creativity.

Ideas Popping

This happens all the time with my writing. Up until about now, not so much with my paintings. I go to classes, do what the task is and that’s it. Until now.

Finally, I’ve got ideas popping like popcorn in my head!

And it’s exciting.

Not only am I learning new techniques, I want to go home and try them on a blank canvas. To add my style to them, to experiment and see what art I can produce. I’ve got one blank canvas ready to go, and I now own an easel, and I have new colours to paint with.

I’m not sure what’s happened. Maybe a certain heat level, has been reached and now the ideas are popping into life in my head? Or I have done (finally) enough basic experience so I can begin to use what I’ve learnt with more confidence A bit of both maybe?

To actually be conscious that this is going on is something, which further inspires me. I can map out my journey because of this; of how I’ve improved and persevered and now I am expanding on my journey of creative painting.

I’ve not managed to find this point when on my writing journey, so I like being able to mark this difference in these creative endeavours. It helps me to be more self-aware of the process, so that I can ensure that I repeat these positives when creating in the future.

Ripping Up My Notebook

As part of art class we’re doing a collage activity. My inner child was inspired and excited, as well as my adult self as I got ready to mix mediums to embark on a more grown up version of a technique I haven’t used since primary school.

I’ve come prepared with tissue paper from home, and have both acrylics and oil paints to use. The brief was to draw a figure and I selected a Victorian looking lady from the pile of images. I’d rather not to have to draw another figure because I find it hard, but I’m inspired so I embraced the task. Victorian Lady

There were stencils to use and I sat thinking what I to include in order to add texture and variety to the background of this rather pensive lady I’d chosen to draw and paint.

Why not use my own words? Written on paper with my fountain pen? My notebook and fountain pen are always in my handbag. Inspired I took them out and turned to the back of my notebook to write words I think will compliment this lady.

writing for artNot once do I think about how I’m going to have to rip out these pages of my notebook ~ one of my rules is not top rip out pages. If I don’t like what I’ve written too bad. It stays, a record in time of a difficult writing day. Right now, I’m too inspired about the canvas I’m working on to even care about this rule.

I want to get the words written, paper ripped up to see what magic I can create on the canvas. Then to see how the colours change, the image forms over the next few weeks. This is the part of creating I love. The experimenting side. The hold my breath stage, maybe it will work out, but maybe it won’t. The time when I have an idea of what I want to do, I’m going along with the journey and the destination could be quite unexpected.

When did you create art which was completely different to what you set out? How did you feel about this? Please share your comments below.

“Blank” Canvas

The first steps in this task of completing a collage, was to add a background colour in acrylics. I only had three tubes of acrylics with me, which limited the colour palette.

I could’ve brought more, but I’d recently purchased some acrylics but had left them at home.

So I decided to make do. And I’m glad I did.

The look was more rustic, perhaps a bit industrial than I was going for (I might actually re-do this background in the future for other projects, there’s a few ideas sparking). This is for a collage. I’m going to build on this first layer. And when I stepped back I could see in my mind’s eye where the next layer might go. Even though this wasn’t the ‘look’ I wanted, it was a start that I could work with and build on. Sometimes it’s better when things don’t go to plan and you are moved by the creative flow and take notice.

When have you started a creative project but it’s not gone to plan? But the result has been better than you had initially planned? Please share in the comments below.

Freestyle

When painting to date I’ve had an image to use as a guide. This time, when painting a seascape, while I did have an image to work with, the muse led me and I went freestyle. I think this is what I like to do the most when creating, ‘fly by the seat of my pants,’ or ‘go with the flow’. It’s risky, as maybe the painting produced won’t be any good. Or maybe it will. Reward comes with a little risk.

This is the first time I’ve managed to do that with my painting.

Because I can’t track this process visually with my writing, I find it fascinating to look at the image I was working on and compare it to the final painting.

I don’t think I could’ve planed this if I tried.

And I have no idea where the inspiration came from. Perhaps my muse was guiding me. Or my intuition. Or because I was relaxed and having fun, I just went with the creative flow, and suspended all of my expectations of having a finished piece of a certain standard. Maybe all of the above.

Anyway, below the image that I worked from. And a photo of the final painting. Very different.

This is the magic of creating.

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Tinkering

I’ve painted enough to know to try and be mindful of overworking the image. It can be difficult to know when to stop, and consider if the painting is finished or needs to be left for a while. This also applies to tinkering.

When tinkering too much the painting can be changed in way that wasn’t wanted. A bit different to overworking. Tinkering is the adding another bird in the sky, or flower in the field, or apple on the tree, when the painting may well have not needed these extra additions.

The same can happen when writing, and editing. The life of the story can be altered in a way that was unintended. Not a big deal if the result is liked, but it’s a problem if the new direction ends up in a dead-end, or the wrong way. Then it’s a lot more work to get the manuscript back on track.

But when to stop? This is when it’s helpful to check in with yourself and ask question like; is what I’m doing improving the work?

I didn’t do so much tinkering when doing my last painting of a seascape, but it was something the teacher kept mentioning during the class. Stop tinkering! And I got what he was saying. Maybe that’s why I didn’t tinker so much. It’s another tool I can have ready to use when I’m painting. I can even extend this to editing a manuscript. There becomes a point when words are being changed but not necessarily adding to the story. At this point I need to stop tinkering. Leave the project, and either come back later, or consider that it may be as good as it’s going to be and release it into the world.

Stop tinkering! Is now something I’ll have in mind to help guide me through the painting of my next canvas and other creative projects.

Lilliana

Sheep Mobile Finished

Finally, I have finished the sheep mobile for bubs. After having to pause a number of times because I ran out of filling for the sheep and clouds, having to look after bubs, and then running out of white fluffy wool. It’s been a long process to get these cuties finished! And bubs is rather captivated by the sheep hanging in his room. A lovely addition, and rather symoblic considering my heritage growing up on a farm with sheep. The tradition lives on, just in a new form.

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The sheep and clouds are a little wonky, but I’m very pleased as this is the first project completed following the crochet written pattern – which is like learning another language. It’s too easy to have lots of unfinished craft projects on the go, so I’m glad that this one has been finished, and now hanging in the baby’s room to be enjoyed by him – and me.

Now, a break, and then to think of the next fun crocheting project to start. Because that’s all part of the joy and journey of creating. There’s always another project to discover.