A Project Finished~almost!

Doing up this old kitchen cabinet has been a creative project of persistence.

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It’s taken three years to get to the point where the cabinet doors are now attached to the old-style kitchen cabinet which I had sanded and painted.

This has been a creative project of persistence. I bought the cabinet over four years ago, ended up moving, then I decided to get started. I bought an electric sander. Paint. Brushes. Wall paper. Sourced hinges, latches, and handles. It took over four weeks to sand it back, and remove the old paint over my summer break. Then painted it, not in enamel paint deliberately. This paint will flake off over time and that’s the look I want.

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I planned. I took my time. I sourced hinges, and handles. I did this during summer, so some days it was just too hot to work in my garage. My dogs were by my side, laying on the floor (looking rather bored!) while I worked. It was a long-term project. But it wasn’t meant to have gone on for this long.

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For one reason or another, the step of attaching the doors and handles was being more of a hurdle than I had expected. I had a few false starts, where I tried to organise people to help. Life got in the way. It looked like I wasn’t doing anything about it, but I wanted to, and had tried, but there were other things were needed my attention, and were a priority. I was almost thinking that I might never get this step done. And this would be one of the many craft projects that I haven’t quiet finished.

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Finally, I cornered someone to help who delivered. I’m super excited that the doors are attached, and the handles are too. This kitchen cabinet is one step closer to being refurbished in my own unique design. This is the first time I’ve done a project so big – and the last. It’s been fun, but my attention needs to go elsewhere. There’s a limit to how many different crafts I can have on the go!

doors attached and handles

 

First, this projects still needs to be technically finished. The last step is to attach some chicken wire to the side – it’s cut out, and has been for the last three years, I just have to work out how best to attach it! Now, I can focus on this more easily now that the doors are on and so are the handles! Once the wire is secured then it will be finally finished. At least I can still use it in the meantime. And now when I walk past, I feel that little bit more content that it’s closer to being finished. And it’s been worth it.

 

Share a time below when you have taken a long time to finish a project ~ or almost finished a project, and while it might not look like it, you are planning on it, it’s just taking longer than expected.

Ideas Popping

This happens all the time with my writing. Up until about now, not so much with my paintings. I go to classes, do what the task is and that’s it. Until now.

Finally, I’ve got ideas popping like popcorn in my head!

And it’s exciting.

Not only am I learning new techniques, I want to go home and try them on a blank canvas. To add my style to them, to experiment and see what art I can produce. I’ve got one blank canvas ready to go, and I now own an easel, and I have new colours to paint with.

I’m not sure what’s happened. Maybe a certain heat level, has been reached and now the ideas are popping into life in my head? Or I have done (finally) enough basic experience so I can begin to use what I’ve learnt with more confidence A bit of both maybe?

To actually be conscious that this is going on is something, which further inspires me. I can map out my journey because of this; of how I’ve improved and persevered and now I am expanding on my journey of creative painting.

I’ve not managed to find this point when on my writing journey, so I like being able to mark this difference in these creative endeavours. It helps me to be more self-aware of the process, so that I can ensure that I repeat these positives when creating in the future.

Ripping Up My Notebook

As part of art class we’re doing a collage activity. My inner child was inspired and excited, as well as my adult self as I got ready to mix mediums to embark on a more grown up version of a technique I haven’t used since primary school.

I’ve come prepared with tissue paper from home, and have both acrylics and oil paints to use. The brief was to draw a figure and I selected a Victorian looking lady from the pile of images. I’d rather not to have to draw another figure because I find it hard, but I’m inspired so I embraced the task. Victorian Lady

There were stencils to use and I sat thinking what I to include in order to add texture and variety to the background of this rather pensive lady I’d chosen to draw and paint.

Why not use my own words? Written on paper with my fountain pen? My notebook and fountain pen are always in my handbag. Inspired I took them out and turned to the back of my notebook to write words I think will compliment this lady.

writing for artNot once do I think about how I’m going to have to rip out these pages of my notebook ~ one of my rules is not top rip out pages. If I don’t like what I’ve written too bad. It stays, a record in time of a difficult writing day. Right now, I’m too inspired about the canvas I’m working on to even care about this rule.

I want to get the words written, paper ripped up to see what magic I can create on the canvas. Then to see how the colours change, the image forms over the next few weeks. This is the part of creating I love. The experimenting side. The hold my breath stage, maybe it will work out, but maybe it won’t. The time when I have an idea of what I want to do, I’m going along with the journey and the destination could be quite unexpected.

When did you create art which was completely different to what you set out? How did you feel about this? Please share your comments below.

“Blank” Canvas

The first steps in this task of completing a collage, was to add a background colour in acrylics. I only had three tubes of acrylics with me, which limited the colour palette.

I could’ve brought more, but I’d recently purchased some acrylics but had left them at home.

So I decided to make do. And I’m glad I did.

The look was more rustic, perhaps a bit industrial than I was going for (I might actually re-do this background in the future for other projects, there’s a few ideas sparking). This is for a collage. I’m going to build on this first layer. And when I stepped back I could see in my mind’s eye where the next layer might go. Even though this wasn’t the ‘look’ I wanted, it was a start that I could work with and build on. Sometimes it’s better when things don’t go to plan and you are moved by the creative flow and take notice.

When have you started a creative project but it’s not gone to plan? But the result has been better than you had initially planned? Please share in the comments below.

Welcome 2019!

Happy New Year!

May 2019 shine bright for you.

To welcome in the New Year, I’ve made my own little decoration. The other week I did some marbling with my niece and so decided to use that as a background for 2019. A little bit of fun! Let the adventure begin…

This year, I’ve come up with my usual word to guide me through the year. The word for 2019 is Adventure. I’m sure there are many adventures ahead for me this year, which I hope to embrace with confidence, curiosity and an open mind.

I’m excited with the adventures that have already begun, and those that are continuing in to the New Year. Who knows what unexpected ones will start, and I look forward to them. I’m putting on my adventurer’s hat, and heading off into the unknown of the new year of 2019!

Lilliana

Freestyle

When painting to date I’ve had an image to use as a guide. This time, when painting a seascape, while I did have an image to work with, the muse led me and I went freestyle. I think this is what I like to do the most when creating, ‘fly by the seat of my pants,’ or ‘go with the flow’. It’s risky, as maybe the painting produced won’t be any good. Or maybe it will. Reward comes with a little risk.

This is the first time I’ve managed to do that with my painting.

Because I can’t track this process visually with my writing, I find it fascinating to look at the image I was working on and compare it to the final painting.

I don’t think I could’ve planed this if I tried.

And I have no idea where the inspiration came from. Perhaps my muse was guiding me. Or my intuition. Or because I was relaxed and having fun, I just went with the creative flow, and suspended all of my expectations of having a finished piece of a certain standard. Maybe all of the above.

Anyway, below the image that I worked from. And a photo of the final painting. Very different.

This is the magic of creating.

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Signature

I’ve taken the step and have signed my painting. Seascape is the first painting I’ve signed! (I’m disregarding the paintings done at school)

It’s long overdue, I have finally signed my most recent painting. It is a big deal. For one, I never felt a painting was feeling finished enough to sign. And two, how was I going to sign my name?

Isn’t it interesting what I was hung up on? What did it matter how I signed my name? As long as I signed it. I thought about writing my initials, or my full name, or a shortened version of my name. Then I realised it didn’t matter.

What mattered was that I took the step to sign my artwork. Because in doing so, I was saying to the world, but more importantly to myself, that I am happy, proud, and content with what I’ve created. And I am just that with this seascape. My signature might change with time, but of course that won’t matter. It’s all part of my development as an artist.

Driven to finally take the step of signing my name on my painting I realised I didn’t know what brush to use. Or what colour. These details do sort of matter. I asked my teacher. The colour didn’t have to be black, but a colour used in the painting. So I used a blue tone. I borrowed the teachers brush. I didn’t have a brush that was thin enough. Then I jumped in. I didn’t practise. I simply signed my name. And I think that it’s the best part of this painting.

I look forward to signing many more paintings.

 

Tinkering

I’ve painted enough to know to try and be mindful of overworking the image. It can be difficult to know when to stop, and consider if the painting is finished or needs to be left for a while. This also applies to tinkering.

When tinkering too much the painting can be changed in way that wasn’t wanted. A bit different to overworking. Tinkering is the adding another bird in the sky, or flower in the field, or apple on the tree, when the painting may well have not needed these extra additions.

The same can happen when writing, and editing. The life of the story can be altered in a way that was unintended. Not a big deal if the result is liked, but it’s a problem if the new direction ends up in a dead-end, or the wrong way. Then it’s a lot more work to get the manuscript back on track.

But when to stop? This is when it’s helpful to check in with yourself and ask question like; is what I’m doing improving the work?

I didn’t do so much tinkering when doing my last painting of a seascape, but it was something the teacher kept mentioning during the class. Stop tinkering! And I got what he was saying. Maybe that’s why I didn’t tinker so much. It’s another tool I can have ready to use when I’m painting. I can even extend this to editing a manuscript. There becomes a point when words are being changed but not necessarily adding to the story. At this point I need to stop tinkering. Leave the project, and either come back later, or consider that it may be as good as it’s going to be and release it into the world.

Stop tinkering! Is now something I’ll have in mind to help guide me through the painting of my next canvas and other creative projects.

Lilliana

Quick Study of Seascape

To start a recent workshop on seascapes, the teacher had participants do a quick study. With only 20 minutes to do the painting, I had no choice but to go with the flow. And to keep it simple.

I learnt that this was a fun way to experiment, and learn. And it will be something I’ll try again at home. This is always a good sign as I’m inspired. Often I don’t get to paint in short time frames like this, normally it’s much longer, and can take months. So it’s also refreshing to do a smaller image in a short time.

Sometimes writing is a long drawn out process. And I can’t map the process like I can when painting a canvas. So to be able to see the stages from start to finish in a short time is exciting. It’s a different creative process for me, which helps to keep me inspired, and ready to try new things, and to experiment. Because it’s also a quick study, if things don’t turn out, then because it’s not taken a huge investment of time, I don’t get hung up on that. I can take what I’ve learnt, and apply it to another study or if I’m happy with my skill set then a canvas.

With this new level of inspiration, and off to get creating. Who knows what I’ll create and learn!

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