“Blank” Canvas

The first steps in this task of completing a collage, was to add a background colour in acrylics. I only had three tubes of acrylics with me, which limited the colour palette.

I could’ve brought more, but I’d recently purchased some acrylics but had left them at home.

So I decided to make do. And I’m glad I did.

The look was more rustic, perhaps a bit industrial than I was going for (I might actually re-do this background in the future for other projects, there’s a few ideas sparking). This is for a collage. I’m going to build on this first layer. And when I stepped back I could see in my mind’s eye where the next layer might go. Even though this wasn’t the ‘look’ I wanted, it was a start that I could work with and build on. Sometimes it’s better when things don’t go to plan and you are moved by the creative flow and take notice.

When have you started a creative project but it’s not gone to plan? But the result has been better than you had initially planned? Please share in the comments below.

Welcome 2019!

Happy New Year!

May 2019 shine bright for you.

To welcome in the New Year, I’ve made my own little decoration. The other week I did some marbling with my niece and so decided to use that as a background for 2019. A little bit of fun! Let the adventure begin…

This year, I’ve come up with my usual word to guide me through the year. The word for 2019 is Adventure. I’m sure there are many adventures ahead for me this year, which I hope to embrace with confidence, curiosity and an open mind.

I’m excited with the adventures that have already begun, and those that are continuing in to the New Year. Who knows what unexpected ones will start, and I look forward to them. I’m putting on my adventurer’s hat, and heading off into the unknown of the new year of 2019!

Lilliana

Freestyle

When painting to date I’ve had an image to use as a guide. This time, when painting a seascape, while I did have an image to work with, the muse led me and I went freestyle. I think this is what I like to do the most when creating, ‘fly by the seat of my pants,’ or ‘go with the flow’. It’s risky, as maybe the painting produced won’t be any good. Or maybe it will. Reward comes with a little risk.

This is the first time I’ve managed to do that with my painting.

Because I can’t track this process visually with my writing, I find it fascinating to look at the image I was working on and compare it to the final painting.

I don’t think I could’ve planed this if I tried.

And I have no idea where the inspiration came from. Perhaps my muse was guiding me. Or my intuition. Or because I was relaxed and having fun, I just went with the creative flow, and suspended all of my expectations of having a finished piece of a certain standard. Maybe all of the above.

Anyway, below the image that I worked from. And a photo of the final painting. Very different.

This is the magic of creating.

Cp1Kn+r0TXCLQSfpltnzWw      NVjRY9YWRom00OJYtfCPVg

Signature

I’ve taken the step and have signed my painting. Seascape is the first painting I’ve signed! (I’m disregarding the paintings done at school)

It’s long overdue, I have finally signed my most recent painting. It is a big deal. For one, I never felt a painting was feeling finished enough to sign. And two, how was I going to sign my name?

Isn’t it interesting what I was hung up on? What did it matter how I signed my name? As long as I signed it. I thought about writing my initials, or my full name, or a shortened version of my name. Then I realised it didn’t matter.

What mattered was that I took the step to sign my artwork. Because in doing so, I was saying to the world, but more importantly to myself, that I am happy, proud, and content with what I’ve created. And I am just that with this seascape. My signature might change with time, but of course that won’t matter. It’s all part of my development as an artist.

Driven to finally take the step of signing my name on my painting I realised I didn’t know what brush to use. Or what colour. These details do sort of matter. I asked my teacher. The colour didn’t have to be black, but a colour used in the painting. So I used a blue tone. I borrowed the teachers brush. I didn’t have a brush that was thin enough. Then I jumped in. I didn’t practise. I simply signed my name. And I think that it’s the best part of this painting.

I look forward to signing many more paintings.

 

Tinkering

I’ve painted enough to know to try and be mindful of overworking the image. It can be difficult to know when to stop, and consider if the painting is finished or needs to be left for a while. This also applies to tinkering.

When tinkering too much the painting can be changed in way that wasn’t wanted. A bit different to overworking. Tinkering is the adding another bird in the sky, or flower in the field, or apple on the tree, when the painting may well have not needed these extra additions.

The same can happen when writing, and editing. The life of the story can be altered in a way that was unintended. Not a big deal if the result is liked, but it’s a problem if the new direction ends up in a dead-end, or the wrong way. Then it’s a lot more work to get the manuscript back on track.

But when to stop? This is when it’s helpful to check in with yourself and ask question like; is what I’m doing improving the work?

I didn’t do so much tinkering when doing my last painting of a seascape, but it was something the teacher kept mentioning during the class. Stop tinkering! And I got what he was saying. Maybe that’s why I didn’t tinker so much. It’s another tool I can have ready to use when I’m painting. I can even extend this to editing a manuscript. There becomes a point when words are being changed but not necessarily adding to the story. At this point I need to stop tinkering. Leave the project, and either come back later, or consider that it may be as good as it’s going to be and release it into the world.

Stop tinkering! Is now something I’ll have in mind to help guide me through the painting of my next canvas and other creative projects.

Lilliana

Quick Study of Seascape

To start a recent workshop on seascapes, the teacher had participants do a quick study. With only 20 minutes to do the painting, I had no choice but to go with the flow. And to keep it simple.

I learnt that this was a fun way to experiment, and learn. And it will be something I’ll try again at home. This is always a good sign as I’m inspired. Often I don’t get to paint in short time frames like this, normally it’s much longer, and can take months. So it’s also refreshing to do a smaller image in a short time.

Sometimes writing is a long drawn out process. And I can’t map the process like I can when painting a canvas. So to be able to see the stages from start to finish in a short time is exciting. It’s a different creative process for me, which helps to keep me inspired, and ready to try new things, and to experiment. Because it’s also a quick study, if things don’t turn out, then because it’s not taken a huge investment of time, I don’t get hung up on that. I can take what I’ve learnt, and apply it to another study or if I’m happy with my skill set then a canvas.

With this new level of inspiration, and off to get creating. Who knows what I’ll create and learn!

start quick painting  step 2 quick painting.jpg finish quick painting.jpg

 

Seascape

The fine line between not liking your work to being constructive about what you’ve created is important. Actually, it’s important in life as well.

I was reminded of this boundary between my perspective of negativity versus constructive thoughts in regard to a recent workshop on painting seascapes. Not only did I learn how to paint waves I also learnt the value of looking at my work, seeing how I feel about it, by asking myself some questions.

Do I like what I see? Is the painting working? No. What can I do about it? What can I change?

It’s the last two questions which I found particularly helpful. Because the answers gave me positive action to take. By asking these questions, it also prevented me from spiralling down into a puddle of negativity that what I’m doing isn’t good enough.

Why were these questions so valuable?

Not only did the answers help keep my mindset positive but also allowed me to pause and consider how I could improve the painting. The answers gave me a positive focus. And a chance to try something with the intention of progressing the painting.

Whatever I do may not improve the painting (to my liking) but I can keep repeating these questions until I do. Or worse case, if I’ve tinkered too much or overworked the painting, then this becomes a valuable lesson for me to have learnt, which I can apply to the next painting I do.

How did I apply this process to my seascape? The big wave in the centre wasn’t turning crashing over like it is now. It was rolling in a white top across the canvas. This looked a little boring. I wasn’t happy with it.

step 4 seascape.jpg

With the help of the teacher the wave was changed part way across so that it was partly rolling over. It worked. It could’ve easily not have. And if that was the case, then I would’ve tried something else. Or learnt what not to do for the next seascape I painted.

 

Seascape Finished

It’s too easy to get down on your creative project, so it’s a good safety net as such to have process like asking yourself a few questions. “Am I happy with this? No. Then what can I do about it?” Because this can help generate inspiration and ensure the creativity keeps flowing.

Travel and Creativity

It’s been a while since I’ve travelled. Now, it’s different because I have bubs with me. Recently, with a book signing and an academic conference, I had 5 flights in 8 days, with bubs. It was fantastic (and hard work!). I was reminded how beneficial travel is for me. It helps me to connect with who I really am. I’m on an adventure, and off exploring new areas. I’m learning. Growing. Problem solving. Having fun. Meeting new people. During this time, I really get a new perspective on my life, and the areas which matter most. And so much more. It was also a relief to find out that bubs was a good traveller himself.

During this recent travel, I realised there was an unexpected influence on my creativity. While I wasn’t directly being creative when traveling, I ended up coming back tired, but with huge levels of inspiration and ready to get into my writing. I had a whole new level of creative flow. An added benefit to this crazy stint of travel I’d recently done. And it hasn’t just lasted for a few days, this new inspiration is still going, after two weeks and hasn’t faded.

It took 5 flights in 8 days for me to find this new level of inspiration which has spilled out in to my creative projects from painting, to crocheting to writing. For me, travel feeds my soul, and now I know it also helps to call in creativity which can last for weeks.

So, where will I go on my next trip…?

 

Halt!

After getting over my trepidation of attempting a more difficult crochet project, and then discovering I could actually read a crochet pattern I thought it would be full steam ahead.

Not quite.

Like all projects, whether creative or not, there are the unexpected halts. The impasses. Which can be frustrating as they take away the momentum making it even more difficult to overcome ‘the block.’

The problem with my current project wasn’t big. I simply needed some fibre filler before I could keep going. This meant going to the shop to buy some which of course I couldn’t because it was well past closing time.

I had to stop because I didn’t have all the materials to keep going. I knew I didn’t when I started. But I had such a strong motivation to want to start, now, and to see if I could read the crochet pattern. After all, I may not have reached the point of needing the fibre filler. I could well have ended up in a crying mess on the couch.

Somehow the instructions made sense and I knotted the yarn until I couldn’t go any further. This was frustrating because I so wanted to keep going but couldn’t. I sourced some fibre filler from my sister – oddly it was what I’d given to her a number of years ago but because I wasn’t using it I had decided to find a new home for it. I just had to wait a few days before I got it. Not long. But long enough to lose my momentum.

The upside to this, because I’ve got two other crochet projects on the go, I could return to them. It meant stopping on the sheep project wasn’t as much of an issue. I could still create. Still make progress on other projects.

I’ve not yet picked up the sheep project, but I will. I know I will. I just need a few hours where I can sit and work on it, because it’s harder and I need to be in the right frame of mind to concentrate more compared with the other two projects I have on the go.

Sometimes halts can be beneficial, or at least not as much of a hindrance as first expected. And by going with the flow, and being patient, I could source the fibre filler for free and progress two other projects. A productive outcome for an impasse!

When has having to stop or pause a project actually been a benefit for you? Please share below in the comments.