Welcome 2019!

Happy New Year!

May 2019 shine bright for you.

To welcome in the New Year, I’ve made my own little decoration. The other week I did some marbling with my niece and so decided to use that as a background for 2019. A little bit of fun! Let the adventure begin…

This year, I’ve come up with my usual word to guide me through the year. The word for 2019 is Adventure. I’m sure there are many adventures ahead for me this year, which I hope to embrace with confidence, curiosity and an open mind.

I’m excited with the adventures that have already begun, and those that are continuing in to the New Year. Who knows what unexpected ones will start, and I look forward to them. I’m putting on my adventurer’s hat, and heading off into the unknown of the new year of 2019!

Lilliana

Freestyle

When painting to date I’ve had an image to use as a guide. This time, when painting a seascape, while I did have an image to work with, the muse led me and I went freestyle. I think this is what I like to do the most when creating, ‘fly by the seat of my pants,’ or ‘go with the flow’. It’s risky, as maybe the painting produced won’t be any good. Or maybe it will. Reward comes with a little risk.

This is the first time I’ve managed to do that with my painting.

Because I can’t track this process visually with my writing, I find it fascinating to look at the image I was working on and compare it to the final painting.

I don’t think I could’ve planed this if I tried.

And I have no idea where the inspiration came from. Perhaps my muse was guiding me. Or my intuition. Or because I was relaxed and having fun, I just went with the creative flow, and suspended all of my expectations of having a finished piece of a certain standard. Maybe all of the above.

Anyway, below the image that I worked from. And a photo of the final painting. Very different.

This is the magic of creating.

Cp1Kn+r0TXCLQSfpltnzWw      NVjRY9YWRom00OJYtfCPVg

Signature

I’ve taken the step and have signed my painting. Seascape is the first painting I’ve signed! (I’m disregarding the paintings done at school)

It’s long overdue, I have finally signed my most recent painting. It is a big deal. For one, I never felt a painting was feeling finished enough to sign. And two, how was I going to sign my name?

Isn’t it interesting what I was hung up on? What did it matter how I signed my name? As long as I signed it. I thought about writing my initials, or my full name, or a shortened version of my name. Then I realised it didn’t matter.

What mattered was that I took the step to sign my artwork. Because in doing so, I was saying to the world, but more importantly to myself, that I am happy, proud, and content with what I’ve created. And I am just that with this seascape. My signature might change with time, but of course that won’t matter. It’s all part of my development as an artist.

Driven to finally take the step of signing my name on my painting I realised I didn’t know what brush to use. Or what colour. These details do sort of matter. I asked my teacher. The colour didn’t have to be black, but a colour used in the painting. So I used a blue tone. I borrowed the teachers brush. I didn’t have a brush that was thin enough. Then I jumped in. I didn’t practise. I simply signed my name. And I think that it’s the best part of this painting.

I look forward to signing many more paintings.

 

Tinkering

I’ve painted enough to know to try and be mindful of overworking the image. It can be difficult to know when to stop, and consider if the painting is finished or needs to be left for a while. This also applies to tinkering.

When tinkering too much the painting can be changed in way that wasn’t wanted. A bit different to overworking. Tinkering is the adding another bird in the sky, or flower in the field, or apple on the tree, when the painting may well have not needed these extra additions.

The same can happen when writing, and editing. The life of the story can be altered in a way that was unintended. Not a big deal if the result is liked, but it’s a problem if the new direction ends up in a dead-end, or the wrong way. Then it’s a lot more work to get the manuscript back on track.

But when to stop? This is when it’s helpful to check in with yourself and ask question like; is what I’m doing improving the work?

I didn’t do so much tinkering when doing my last painting of a seascape, but it was something the teacher kept mentioning during the class. Stop tinkering! And I got what he was saying. Maybe that’s why I didn’t tinker so much. It’s another tool I can have ready to use when I’m painting. I can even extend this to editing a manuscript. There becomes a point when words are being changed but not necessarily adding to the story. At this point I need to stop tinkering. Leave the project, and either come back later, or consider that it may be as good as it’s going to be and release it into the world.

Stop tinkering! Is now something I’ll have in mind to help guide me through the painting of my next canvas and other creative projects.

Lilliana

Quick Study of Seascape

To start a recent workshop on seascapes, the teacher had participants do a quick study. With only 20 minutes to do the painting, I had no choice but to go with the flow. And to keep it simple.

I learnt that this was a fun way to experiment, and learn. And it will be something I’ll try again at home. This is always a good sign as I’m inspired. Often I don’t get to paint in short time frames like this, normally it’s much longer, and can take months. So it’s also refreshing to do a smaller image in a short time.

Sometimes writing is a long drawn out process. And I can’t map the process like I can when painting a canvas. So to be able to see the stages from start to finish in a short time is exciting. It’s a different creative process for me, which helps to keep me inspired, and ready to try new things, and to experiment. Because it’s also a quick study, if things don’t turn out, then because it’s not taken a huge investment of time, I don’t get hung up on that. I can take what I’ve learnt, and apply it to another study or if I’m happy with my skill set then a canvas.

With this new level of inspiration, and off to get creating. Who knows what I’ll create and learn!

start quick painting  step 2 quick painting.jpg finish quick painting.jpg

 

Seascape

The fine line between not liking your work to being constructive about what you’ve created is important. Actually, it’s important in life as well.

I was reminded of this boundary between my perspective of negativity versus constructive thoughts in regard to a recent workshop on painting seascapes. Not only did I learn how to paint waves I also learnt the value of looking at my work, seeing how I feel about it, by asking myself some questions.

Do I like what I see? Is the painting working? No. What can I do about it? What can I change?

It’s the last two questions which I found particularly helpful. Because the answers gave me positive action to take. By asking these questions, it also prevented me from spiralling down into a puddle of negativity that what I’m doing isn’t good enough.

Why were these questions so valuable?

Not only did the answers help keep my mindset positive but also allowed me to pause and consider how I could improve the painting. The answers gave me a positive focus. And a chance to try something with the intention of progressing the painting.

Whatever I do may not improve the painting (to my liking) but I can keep repeating these questions until I do. Or worse case, if I’ve tinkered too much or overworked the painting, then this becomes a valuable lesson for me to have learnt, which I can apply to the next painting I do.

How did I apply this process to my seascape? The big wave in the centre wasn’t turning crashing over like it is now. It was rolling in a white top across the canvas. This looked a little boring. I wasn’t happy with it.

step 4 seascape.jpg

With the help of the teacher the wave was changed part way across so that it was partly rolling over. It worked. It could’ve easily not have. And if that was the case, then I would’ve tried something else. Or learnt what not to do for the next seascape I painted.

 

Seascape Finished

It’s too easy to get down on your creative project, so it’s a good safety net as such to have process like asking yourself a few questions. “Am I happy with this? No. Then what can I do about it?” Because this can help generate inspiration and ensure the creativity keeps flowing.

New Cafe

What a view!

With one of my fav cafes closed, and another moving, I thought it time to get out and find a new cafe. And today, I’ve done just that. I’m left wondering why on earth didn’t I try this cafe sooner! And I’m relieved I’m not totally set in my ways, and I can try new cafes, and get back into the natural flow, which of course helps the words to get written, and the creativity to flow.

Not only did I get the benefits of writing in a new envionment with a fantastic view, I also had a relaxing walk here and back. A win-win on many levels.

With the start of a new story being written today, and the fresh air clearing my mind with the walk there and back, I’ll be coming back here for sure…hopefully tomorrow!

Lilliana

Change is in the Air

Change is in the air, café style.

While I don’t really have a routine in my life, there are a few fixed points in my day or week that are regular. The boring, shopping for food, cleaning and cooking, of course done at different times and recipes change. The more relaxing like walking along the beach, though the times in the day may change. Or like visiting my favourite cafes, which I have a few, so I can mix it up and still keep a little bit of change.

This last week or so, I’d discovered one of my favourite cafés had closed, and now I’ve learnt another of my favourite cafés is moving. I was a bit worried for a few seconds, but fortunately they are only moving a few doors down. Then my mind switched into hyper-drive. Will I find the new environment appealing? It’s a smaller space so will I enjoy the vibe and be able to write? Will the new place work for them as a business and if it doesn’t I could lose another café where I like to visit, not just to write but also to meet up with friends.

When did I get so set in my ways?

It’s sort of snuck up on me. Here I was thinking I’m flexible, I’m going with the flow and I am, but I’ve also found some comforts in my life.

This isn’t a bad thing. Having some comforts, or enjoyments is good, and very beneficial. It helps me to be part of the world when I’m meeting friends. I get great coffee and food. I have a space where I can write and be inspired.

It’s these things that I fear, or worry of losing. All because of change. Of course this isn’t necessarily going to occur. It’s my ego feeling threatened. And that’s a good thing, because that means getting out of my comfort zone. This leads to change, and inspiration and feeds into my creativity. This ultimately is a good thing. Hey, it’s going to be fun going to the new place for this café, and even finding a new café if I have to. It has been helpful to be reminded that change is a good thing, and that I can mix up the comforts in my life.

I’m sure it won’t be the end of the world, and who knows I might even like this new place even better.

Lilliana

Plan B

Having to drive over the other side of town for an appointment, I thought a I could combine the trip and then go to one of my favourite cafés. I had to drive past the café on the way to the appointment, and it was closed. And not a closed for today, or opening late today sort of closed. It had shut up shop. Forever. I had so been looking forward to being naughty and buying a cheeky lamington with my coffee, and spending a little time writing (or trying to write as bubs was with me).

What was I going to do now? Plan B wasn’t forming in my mind. Simply I needed another café. But where? And there’s always the risk of trying a new café and it let’s say, things don’t always work out. I was in a risk free mood, and yet, here I was having to do that. I wasn’t in the frame of mind to try something new or different to my routine or what I was used to.

Through the appointment all I could think of was where am I going to have my morning coffee where I can write? I wanted to go to a café where I could take a pram, and one where there was a bit of a rustic, organic vibe to help the creative flow. I wanted to soak up the atmosphere so the inspiration would stay with me for the rest of the day.

It took a lot of thinking, then I remembered a café down the road I had gone to earlier in the year. Relief! And it was the perfect solution. I had a lovely coffee, room with the pram and a few minutes to write. Beautiful organic vibes for me to absorb. Thank goodness! And I’ve got another café to add to my list to go and visit.

All wasn’t lost.

It’s obvious to think there’s not really any risk here, and that it’s simple just think of another café to go to. In a way it was. But it did take a bit of thought for me to work through this. And it reminded me of the process of problem solving. The chance to think on my feet. And to be flexible with the pre-made plans of the day. I also got to practice it for something simple, so when the big problems come along I’ll be ready.

So there’s a lot more than just plan B and having to go to a different café. It’s all about being willing to try something different, to change the plans – on the fly. And to remember that this can actually help the inspiration and lead to some creative progress.

I might just need to try a new café more regularly!