A Project Finished~almost!

Doing up this old kitchen cabinet has been a creative project of persistence.

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It’s taken three years to get to the point where the cabinet doors are now attached to the old-style kitchen cabinet which I had sanded and painted.

This has been a creative project of persistence. I bought the cabinet over four years ago, ended up moving, then I decided to get started. I bought an electric sander. Paint. Brushes. Wall paper. Sourced hinges, latches, and handles. It took over four weeks to sand it back, and remove the old paint over my summer break. Then painted it, not in enamel paint deliberately. This paint will flake off over time and that’s the look I want.

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I planned. I took my time. I sourced hinges, and handles. I did this during summer, so some days it was just too hot to work in my garage. My dogs were by my side, laying on the floor (looking rather bored!) while I worked. It was a long-term project. But it wasn’t meant to have gone on for this long.

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For one reason or another, the step of attaching the doors and handles was being more of a hurdle than I had expected. I had a few false starts, where I tried to organise people to help. Life got in the way. It looked like I wasn’t doing anything about it, but I wanted to, and had tried, but there were other things were needed my attention, and were a priority. I was almost thinking that I might never get this step done. And this would be one of the many craft projects that I haven’t quiet finished.

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Finally, I cornered someone to help who delivered. I’m super excited that the doors are attached, and the handles are too. This kitchen cabinet is one step closer to being refurbished in my own unique design. This is the first time I’ve done a project so big – and the last. It’s been fun, but my attention needs to go elsewhere. There’s a limit to how many different crafts I can have on the go!

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First, this projects still needs to be technically finished. The last step is to attach some chicken wire to the side – it’s cut out, and has been for the last three years, I just have to work out how best to attach it! Now, I can focus on this more easily now that the doors are on and so are the handles! Once the wire is secured then it will be finally finished. At least I can still use it in the meantime. And now when I walk past, I feel that little bit more content that it’s closer to being finished. And it’s been worth it.

 

Share a time below when you have taken a long time to finish a project ~ or almost finished a project, and while it might not look like it, you are planning on it, it’s just taking longer than expected.

Ripping Up My Notebook

As part of art class we’re doing a collage activity. My inner child was inspired and excited, as well as my adult self as I got ready to mix mediums to embark on a more grown up version of a technique I haven’t used since primary school.

I’ve come prepared with tissue paper from home, and have both acrylics and oil paints to use. The brief was to draw a figure and I selected a Victorian looking lady from the pile of images. I’d rather not to have to draw another figure because I find it hard, but I’m inspired so I embraced the task. Victorian Lady

There were stencils to use and I sat thinking what I to include in order to add texture and variety to the background of this rather pensive lady I’d chosen to draw and paint.

Why not use my own words? Written on paper with my fountain pen? My notebook and fountain pen are always in my handbag. Inspired I took them out and turned to the back of my notebook to write words I think will compliment this lady.

writing for artNot once do I think about how I’m going to have to rip out these pages of my notebook ~ one of my rules is not top rip out pages. If I don’t like what I’ve written too bad. It stays, a record in time of a difficult writing day. Right now, I’m too inspired about the canvas I’m working on to even care about this rule.

I want to get the words written, paper ripped up to see what magic I can create on the canvas. Then to see how the colours change, the image forms over the next few weeks. This is the part of creating I love. The experimenting side. The hold my breath stage, maybe it will work out, but maybe it won’t. The time when I have an idea of what I want to do, I’m going along with the journey and the destination could be quite unexpected.

When did you create art which was completely different to what you set out? How did you feel about this? Please share your comments below.

“Blank” Canvas

The first steps in this task of completing a collage, was to add a background colour in acrylics. I only had three tubes of acrylics with me, which limited the colour palette.

I could’ve brought more, but I’d recently purchased some acrylics but had left them at home.

So I decided to make do. And I’m glad I did.

The look was more rustic, perhaps a bit industrial than I was going for (I might actually re-do this background in the future for other projects, there’s a few ideas sparking). This is for a collage. I’m going to build on this first layer. And when I stepped back I could see in my mind’s eye where the next layer might go. Even though this wasn’t the ‘look’ I wanted, it was a start that I could work with and build on. Sometimes it’s better when things don’t go to plan and you are moved by the creative flow and take notice.

When have you started a creative project but it’s not gone to plan? But the result has been better than you had initially planned? Please share in the comments below.

Freestyle

When painting to date I’ve had an image to use as a guide. This time, when painting a seascape, while I did have an image to work with, the muse led me and I went freestyle. I think this is what I like to do the most when creating, ‘fly by the seat of my pants,’ or ‘go with the flow’. It’s risky, as maybe the painting produced won’t be any good. Or maybe it will. Reward comes with a little risk.

This is the first time I’ve managed to do that with my painting.

Because I can’t track this process visually with my writing, I find it fascinating to look at the image I was working on and compare it to the final painting.

I don’t think I could’ve planed this if I tried.

And I have no idea where the inspiration came from. Perhaps my muse was guiding me. Or my intuition. Or because I was relaxed and having fun, I just went with the creative flow, and suspended all of my expectations of having a finished piece of a certain standard. Maybe all of the above.

Anyway, below the image that I worked from. And a photo of the final painting. Very different.

This is the magic of creating.

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Tinkering

I’ve painted enough to know to try and be mindful of overworking the image. It can be difficult to know when to stop, and consider if the painting is finished or needs to be left for a while. This also applies to tinkering.

When tinkering too much the painting can be changed in way that wasn’t wanted. A bit different to overworking. Tinkering is the adding another bird in the sky, or flower in the field, or apple on the tree, when the painting may well have not needed these extra additions.

The same can happen when writing, and editing. The life of the story can be altered in a way that was unintended. Not a big deal if the result is liked, but it’s a problem if the new direction ends up in a dead-end, or the wrong way. Then it’s a lot more work to get the manuscript back on track.

But when to stop? This is when it’s helpful to check in with yourself and ask question like; is what I’m doing improving the work?

I didn’t do so much tinkering when doing my last painting of a seascape, but it was something the teacher kept mentioning during the class. Stop tinkering! And I got what he was saying. Maybe that’s why I didn’t tinker so much. It’s another tool I can have ready to use when I’m painting. I can even extend this to editing a manuscript. There becomes a point when words are being changed but not necessarily adding to the story. At this point I need to stop tinkering. Leave the project, and either come back later, or consider that it may be as good as it’s going to be and release it into the world.

Stop tinkering! Is now something I’ll have in mind to help guide me through the painting of my next canvas and other creative projects.

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Quick Study of Seascape

To start a recent workshop on seascapes, the teacher had participants do a quick study. With only 20 minutes to do the painting, I had no choice but to go with the flow. And to keep it simple.

I learnt that this was a fun way to experiment, and learn. And it will be something I’ll try again at home. This is always a good sign as I’m inspired. Often I don’t get to paint in short time frames like this, normally it’s much longer, and can take months. So it’s also refreshing to do a smaller image in a short time.

Sometimes writing is a long drawn out process. And I can’t map the process like I can when painting a canvas. So to be able to see the stages from start to finish in a short time is exciting. It’s a different creative process for me, which helps to keep me inspired, and ready to try new things, and to experiment. Because it’s also a quick study, if things don’t turn out, then because it’s not taken a huge investment of time, I don’t get hung up on that. I can take what I’ve learnt, and apply it to another study or if I’m happy with my skill set then a canvas.

With this new level of inspiration, and off to get creating. Who knows what I’ll create and learn!

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Seascape

The fine line between not liking your work to being constructive about what you’ve created is important. Actually, it’s important in life as well.

I was reminded of this boundary between my perspective of negativity versus constructive thoughts in regard to a recent workshop on painting seascapes. Not only did I learn how to paint waves I also learnt the value of looking at my work, seeing how I feel about it, by asking myself some questions.

Do I like what I see? Is the painting working? No. What can I do about it? What can I change?

It’s the last two questions which I found particularly helpful. Because the answers gave me positive action to take. By asking these questions, it also prevented me from spiralling down into a puddle of negativity that what I’m doing isn’t good enough.

Why were these questions so valuable?

Not only did the answers help keep my mindset positive but also allowed me to pause and consider how I could improve the painting. The answers gave me a positive focus. And a chance to try something with the intention of progressing the painting.

Whatever I do may not improve the painting (to my liking) but I can keep repeating these questions until I do. Or worse case, if I’ve tinkered too much or overworked the painting, then this becomes a valuable lesson for me to have learnt, which I can apply to the next painting I do.

How did I apply this process to my seascape? The big wave in the centre wasn’t turning crashing over like it is now. It was rolling in a white top across the canvas. This looked a little boring. I wasn’t happy with it.

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With the help of the teacher the wave was changed part way across so that it was partly rolling over. It worked. It could’ve easily not have. And if that was the case, then I would’ve tried something else. Or learnt what not to do for the next seascape I painted.

 

Seascape Finished

It’s too easy to get down on your creative project, so it’s a good safety net as such to have process like asking yourself a few questions. “Am I happy with this? No. Then what can I do about it?” Because this can help generate inspiration and ensure the creativity keeps flowing.

Lady at Café

As part of a three week project in art class, I had to measure a figure from an image, transposing it firstly on paper, the on canvas, and finally painting it with oils. Figures aren’t my strength. Neither is measuring. I’m much better at making things up…sort of.

Once again I found myself at the bottom of a steep learning curve. I learnt the importance of planning, measuring and taking the time to draw out the main outline of the image I was copying – a lady sitting at the table at a café. I was inspired by the image, hey it was a lady sitting at a table at a café! This is what I love to do, except I’m usually writing, or catching up with friends.

I managed to draw the figure on the canvas, I got the idea of using tones to build up the colours, yet it just didn’t feel like it came together for me. Why not? Just a week or so before I learnt a new technique, produced a Bunny and was inspired to go and try this at home. But with the Lady at the Café, it felt flat.

lady in cafe 2The photo here shows where I’m up to, and I’m not quite finished, but I’m so uninspired to try and do any work on the canvas at home. How can the Bunny work but not the Lady? Well, different teachers? I do understand the different techniques used, but I am struggling to apply tones with the oils. With these canvases there are two very different techniques. That could be an influence. For whatever reason even though I wanted to push through and try and point a figure using oils it just didn’t work. To me it feels flat.

Then I realised that in the last lesson of working on this painting I did feel flat. Maybe my frame of mind came through into my painting. After all, a week before when drawing the lady on the canvas, even though I had done her wrong (the measurements were way out), I felt inspired to go home and try and fix her up (I didn’t which perhaps was a shame, but life does get in the way sometimes and it’s just what it is).

But the final lesson of working on this project because of a variety of factors unrelated to the art (hot weather, looking after bubs, and writing) meant I was feeling a little flat.

While doing art or craft or other creative projects can help lift your mood, be good for wellbeing, and help process life, the reverse can also happen.

I think this is what could have happened in this painting. And it’s helpful for me to be aware of this. To be mindful, so that if it happens again (which is a reality, because it is part of the creative process), I can recognise it for what it is, not be judgemental on myself, and choose to work to fix the art, or move on to another project.

All is not lost with Lady at Café, I can still continue with this painting. I won’t as right now I’m not inspired too. But I might be in the future. Now at least the process of creating this canvas has given me insight on how my mood can influence my art, and that by being mindful I can gain valuable insights to how the creative process works for me.

Have you noticed a time or stage when going through the creative process where you have gained insight to your approach? Please share below in the comments.

Surrounded by Creativity

I started the Georgia O’Keefe full-day workshop apprehensive, but I left inspired. Partly because I had a great art teacher, as well as keeping my mind open to learning. I also think a big part was due to being surrounded by like-minded people. This can be seen in the beautiful finished products by every single person in the class.

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To me, this reinforces the importance of surrounding myself with fellow artists, and being in an environment where we are all sharing (albeit quietly) the creative journey. This in itself helps to inspire, to fill the subconscious with creativity without even trying. All that needs to be done is to be present, and get creating.

I was nervous and tired at the start of the class. By the end I was energised and wanting to try another canvas using this technique. And when I look at the classes completed canvases I think it’s more to do with being in a shared space of creativity which has helped me feel uplifted and inspired.

As a writer, it’s important for me to remember this as I spend a lot of time creating alone as is the nature of being an author. It was insightful to be in an environment with other artists, sharing the same journey for a moment in time, and how this can positively, subtly influence my art as well as my well-being.

Have you ever experience starting a workshop apprehensive, but then finding quiet inspiration within the class by the end? Please share in the comments below.

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Inspiring Myself

Today, I’ve given myself a time out of life. I’m doing the minimal today. As part of relaxing, I sat down and watched the DVD of The Greatest Showman. I’d seen it on the big screen a few months ago, and loved it. This time around I enjoyed it just as much, and it was a good chance to continue with a crocheting project. The music, the costumes, the acting, the singing, the story, were fantastic. Then to continue the day of chilling I watch the ‘extras’.

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I found myself reaching for my phone so I could type down the thoughts that were flowing from the ideas that had suddenly come loose and floated to my consciousness, catching them in black words on my phone.

It was great. While I haven’t been in a drought, it’s been a while since I’ve enjoyed the simple flow of inspiration through me.

Often as a teacher, and mentor, even writer, I’m inspiring others. I love it. But I also need to be inspired myself. Sure, I have the things I do to stir up the creativity, and ideas, and get myself inspired – like walking along the beach, reading, painting, crafts, blogging, and going out with people. But this was the first time I was conscious that by watching a movie (while crocheting), and then watching the ‘extras’ and seeing other artists enthusiastic with what they were doing, my own creative well filled. I was overflowing with inspiration for the different creative projects I am planning.lettie and barmum.jpg

And I’ve been reminded that there are hidden benefits for me in watching a movie. Maybe it had a lot to do with the movie being The Greatest Showman, which was an amazing product of so many different artists coming together, and an inspiring story. I’m sure it was the determination in Lettie, in particular, which got my creative juices flowing.

I’ll be watching this movie again.

Are there any movies which have inspired you? What are the go to movies for you when you want to be inspired? Please share below.